Comic Book Raises $$$ for Japan's Victims

It's not often I get to write about two of my favourite topics - comic books and Japan (also dig women, aviation, soccer, losing money in Las Vegas and my new 1997 Saab 900S) but today I get to do so.

The Fables for Japan book is the first of a planned trilogy of anthology books that is being published NOW, with proceeds going to the victims of the 9.0 Magnitude earthquake and massive tsunami that crippled the northeast coast of Japan back on March 11, 2011.

Fables For Japan is a comic book made up of fiction, poems, sequential comic stories and artwork derived from classic Japanese folklore, fables and myths.

Book 1 is an e-book that downloads directly to your computer, iPad, iPhone, Android, or any device capable of viewing a PDF file.

Contributors to Fables for Japan Book 1 include notable comic talents as Tom Peyer, Mark Badger, Phil Hester, Nancy Collins and Teddy Kristiansen, and many more.

A preview is now available online, and those who would like to purchase the volume can now do so using PayPal. The preview and purchase site is HERE.

Andrew Joseph

A Blog Update

I thought I'd do a little update on what readers find interesting here at Japan - It's A Wonderful Rife.

First, it seems to be the blog as a whole. Back on September of 2010, there were a t total of 610 hits. For September 2011, we (I) have had over 20,000 visitors. Now I'm sure that number is a bit of an aberration considering there were just under 10,000 hits the month previous, as it seems that a lot of readers were interested in getting as much data as possible on the Miss Universe pageant held on September 12, 2011.

This blog had 11 different article up on Miss Universe, specific to Japan, including stunning and poignant biographies for Miss Universe Japan 1959, 2011, 2010, 2009, 2008, 2007, 2006 and 2005. There was also an entry on National costumes for the event, one report on the actual 2011 contest, one providing an overview of the past 21 Miss Universe Japan entries, and an in-depth analysis of the contest and Japan's interpretation of beauty.

Here's a list of this blog's Top 8 most popular blog articles:

1) Miss Universe: my compilation look at the past 21 contestants from Japan.

2) Japan's Women's Soccer: surprisingly, it wasn't the entry about the up-to-the-minute report I did on the Women's World Cup of Soccer finals match between Japan and the USA, but rather the write-up on how Japan got to the finals.

3) Japan To Host 2011 FIFA Club World Cup: lots of data describing which teams are involved, where the matches will be played, and neat stuff like that. I will do an update shortly with more data. This weekend, in fact.

4) 2007 Miss Universe Japan: my biography on Mori Riyo (surname first), the Japanese representative who won the 2007 Miss Universe title. She's gorgeous, and there a few nice photos of her.

5) Japan's Women's World Cup Roster: it is what it is. But, just so you know, it was a real bugger to find this information at the time it was published. 

6) Miss Universe Japan National Costumes: it's a 10-year look back at the most recent national costumes worn by Miss Japan at the Miss Universe competitions, including the 2006 representative who won the prestigious nationalistic best national costume award.

7) USA Beats Japanese Women in Softball Final: again, it was very difficult to find information on this important match between the USA and Japan (about a week following the Women's World Cup soccer final). The Women's World Cup of Softball tourney was on television, but only on ESPN-3, -2 and -1. On ESPN 3, a specialty channel, what did maybe only 60 people watch the event? I'm sure this blog had better numbers than ESPN-3.

And... bringing up the rear (and what a rear!!!!):

8) Japanese Schoolgirl Prostitutes: its a great story on underage prostitution in Japan. It seems epidemic in Japan, but that would be an ignorant assumption. There are a lot of men looking to take advantage of young flesh in every single country of the world.

On the plus side, this blog continues to allow me to reconnect with lost friends, like Jim Paliouras and Michael Hutchison - both of Australia; Kristine S. in the USA; Matthew Hall of the USA, whom I have always been in contact with since we both left Japan.

I am still looking to reconnect with James Jimmy Jive Dalton of Stoney Creek, Alberta and Colin McKay of Calgary, Alberta - both of Canada. If anyone can help connect us, it would be appreciated.

New friends made on this blog include Mike Rogers and his excellent Marketing Japan blog; Jim and his awesome Jimbo's World; and Marc Scheffner and his great Searching For Accurate Maps blog.

I post stories from their blogs every once in a awhile.... not to steal content, but rather to cross-promote their site.

I've also put up some great stories you may have missed on such diverse topics as:
What more do you all want? Heck... I even found time to write about my personal life in Japan - remember, look for the rock and roll titles for those embarrassing tales of sex, slugs and sushi roll.
Come back in a few hours for another blog entry!
Cheers
Andrew Joseph 

Drink, Dance and Fly

I'm still a bit jet-lagged (not JET lagged) from my red-eye from Las Vegas to Toronto this morning. As such, I'm going to be lazy and direct you to my pal Jimbo's Japan, and the piece he did on Izakaya.

Loyal readers like my buddy Rob who helped me become a better writer while I was living in Japan between 1990-1993 - you need to read this. I simply did not have enough sober memories to write first -and about this fun topic.

JIMBO'S STORY 

As an aside... in Las Vegas.... wifey joined me for our 10th anniversary... we were married in Vegas! She got sick her second day there, and while we did have an enjoyable time in Old Vegas on our second night, she probably contaminated the whole place to make even the Las Vegas CSI team unable to track who Typhoid Mary was this week.

Wifey and I took separate planes down and back - not just in case one plane goes down, the other can still be a parent, but rather because she procrastinated a little too much in getting her passport and I wasn't sure she was going to go. I had to go for work.

Anyhow, wifey left 3 hours before me... and almost immediately, I began to win at the slots, playing Dean Martin's Wild Party. Anyhow... I had to race to catch my shittle (spelling is correct). I made it, tossed my bags into the back, the driver locked the door and off we went to the airport.

The first stop to let off some other passengers... the handle to the door broke... meaning we couldn't get the luggage out. No one had tools. The airport maintenance guys had none (Really? Liars). No other shuttle driver had tools. No taxi driver had any.

One driver did have a Swiss Army knife... which one of the stranded riders used to try and get it open. Meanwhile a second rider chided him on the way he was trying to save us all. A swearing argument ensued. I just calmly watched. Finally a tow truck driver showed up... they pried it open, and only having lost 45 minutes we all got dropped off to our various check-in sites on time. I flew from Las Vegas to Cleveland on Continental 1436, and Cleveland to Toronto on Continental 4807. Decent amount of turbulence on the first leg - side to side mostly - which is rough when you are trying to sleep. Landing in Toronto in the rain, it was the smoothest landing I've ever experienced and told the pilot so. You couldn't even feel the wheels touch the ground. The Stew.. she was tough as nails, but dealing with jerk passengers - she did a great job - effectively and efficiently with humour and strictness. Cheers. I got home in 6 hours. By the way...  security in Vegas was effective and had a great sense of humour!

Wifey, who left three hours before me... still hasn't arrived in Toronto as of me writing this... 16 hours later. She traveled from Las Vegas to San Francisco. San Francisco to to Chicago. Chicago to Toronto.
Problem... she missed her connection from San Fran to Chicago. She and another woman had two minutes to spare, but United 828 closed the gates early ... and wouldn't let them on.

Here's wifey in her own words in an e-mail to me this morning:

I missed my flight by one minute - not really, though - they just closed the doors to the jetway earlier than they were supposed to. I banged on the doors, saw someone who paid me no attention.  Finally a guy from United asked me what I was doing.  Another man came and said that they close the doors ten minutes before the departure time - he was telling us (there was another woman in the same position) when there was still 12 minutes left before departure time.  I then went to United customer service and a woman there said she would change my flight direct to Toronto.  She also mentioned something about getting me in to Toronto at the same time I would have had I made the flight.  Fine.  I was just going to have to stay in the airport for a couple of hours.  While having a smoke, I looked at the documents/boarding pass the customer service woman had given me and it appeared as though she had just booked me on the Chicago to Toronto flight that I was already on - I had nothing for San Francisco to Chicago.  I pondered this for awhile, wondering if my earpluggedness was causing me to be in a time warp of some type.  I  then wandered the airport looking for a United person - no one was anywhere.  Finally, went down to baggage and found someone from United.  He was able to get me on a flight.  Before I tell you what flight I'm on, he told me that I could have been on a direct flight had the first customer service woman known what she was doing but it was too late for that.  As it is I am going to see Washington DC.  How nice.  Problem is, I won't be able to see it until tomorrow afternoon.  I won't get into Toronto until 6:30 PM. Crap crap crap.  I never want to fly again.  Three days at home with no responsibilities will be my next vacation.

Thank you, wifey. Oh yes... she got sick on the second day in Las Vegas. Germs, germs germs from slot machines... and no hand sanitizer anywhere (hopefully everybody at united gets the aviation flu)... except for $20 at the hotel inconvenience store. Did I mention the MGM Grand sucks? Light bulb out in bathroom for all three days. Crappy TV - not even a flat screen - and remote partially worked. Alarm Clock - I couldn't set the actual time... it was ahead by an hour... so I had to set the alarm ahead by an hour. At least I noticed it and wasn't drunk to not be able to deal with it.  $43.70 for a pot of coffee and a plate of fresh berries via room service. No coffee machine or mini bar in room. No combs. No tooth brush. No razors. No ice bucket. Hey... no positive review! An inch of dust on fake lion inside lion gift shop. No manners at pizza shop inside MGM (we say thank-you, you say you're welcome). And how old is that friggin' carpet?!

Got on Monorail. Nice looking. An overheard speaker says it runs 19 hours and 20 hours on certain days of the week:  Just like my sleep schedule in Las Vegas. Uh no... it's the opposite. I'm awake 19 or 20 hours a day, and asleep 4 or 5 hours. One trip on monorail, I got on at the MGM station... went North one stop. picked up a few people.. then instead of continuing north, it reversed direction and went back to MGM station. Opened the doors, added a few people and went back to Bally's station. Then sat there for several minutes before finally proceeding. Since it was an automated driving system, no announcement was made as to what the problem was. Next day, took bus to old Vegas - few automated ticket machines worked. Driver was a jerk... I mean liked to drive and jerk to a stop. Old strip was awesome for the light show. It all seemed more real than the fake New Las Vegas strip. Everyone should visit Old Vegas strip and sing along with the hourly light show featuring Don McLean's American Pie.

What's this got to do about Japan? It's about Jimbo's blog entry up above... and I'm giving you some news about me: Aside from not seeing a single Nihonjin (Japanese person) or hearing the Japanese language while in Las Vegas... this blog is really about my Wonderful Rife. And it is also about my wonderful wife who is still lost at that signpost up ahead,

Somewhere in the Twilight Zone,
Andrew Joseph's wife

Japanese Lake Reappears

This story from the Japan Times is too cool not to share:
READ IT

Cheers
Andrew Joseph

He's Dead Jim

Andrew (left) and Jim do a little B&E.
I thought I would share with you 'some fan mail from some flounder', to quote Bullwinkle the Moose. Actually, this e-mail was written and posted on one of my blogs about a week ago by Jim Paliouras in Melbourne, Australia.

Jim was an assistant English teacher (AET) who was on the JET (Japan Exchange & Teaching) Programme with me. While I was there in Japan (living in Ohtawara-shi, Tochigi-ken) between 1990 and 1993, Jim arrived either in July of 1991 or July of 1992. I believe it was the former.

Jim was maybe 6'-3", lanky, brown eyes and hair and had an infectious smile that I believe life has found a cure for, but hopefully he is immune to its effects. Goofy-looking in a handsome way, Jim was also very intelligent, but not so intelligent that it got in the way of him enjoying life, and was very funny. Not only could he tell a great story, he could enjoy one as well.

Andrew, I love your blogs! I've been a huge fan of, 'It's a wonderful rife' from its inception and looked forward to the Tatami Times every month. Andrew, you wrote some hilarious pieces which helped keep me sane and extremely entertained. You were one of the funniest, extraordinary and craziest people I had the pleasure of meeting in Japan. In amongst all the pretentious, phoney, cultured and elitist JETS, there was you. Real, out there and yourself. One of the funniest stories I still tell all my friends was a night you and I went nuts whilst heavily intoxicated at a conference. Lets just say, I would have loved to have seen peoples faces when they developed their photos. Thank god there was no CCTV footage of our escapades that night. Do you remember what we got up to?

Deer Jim (the spelling is correct... I don't know how to spell Jim any other way, except Gym, and I'm pretty sure that's not it, despite him being a Greek from Australia)... if you read this - and you better because I'm re-telling this tale for YOU, buddy - drop me a line at the e-mail located above or on this blog, and remind me where in Japan you lived and how long you were there for and tell me what you are up to now. And don't say 6'-3".

(Actually... I found this 2004 article featuring Jim and family! That bandit bought a house from money saved while teaching in Japan??!! I walked away with $10,000 after I managed to save that doing a lot of extra English teaching - in my final three months of my three year stay!)

I'm already pretty sure Jim was a junior high school teacher like myself, because he did organize a football (soccer) match between his junior high school kids versus a bunch of overweight, out-of-shape, over-the-hill AETs.... and I'm actually just talking about myself. It was amazing how in six short years I had lost the ability to slide tackle my opponents into submission. First off, I couldn't catch them... even though I still had that fire inside me which said 'if you are going to try and get by me, I'm going to take the ball away and take you out'. Jim had played semi-pro soccer in ... I want to say Malaysia, though Indonesia is now coming to mind. Let's say Malaysia.  

But... regardless... despite having sucked a lot of wind and sucked a lot of suckiness, that was the last time I ever played soccer. I knew when I was licked and sucked. (Why does my writing turn me on?)

Unfortunately, the same could not be said for drinking in Japan. Although a relative novice to the non-professional sport of competitive drinking, having started when I was about 23 in my first year of journalism school, I found that in three short years I had developed quite the knack for drinking, getting drunk, keeping it in me, and not being an angry obnoxious jerk. I also never got hangovers. Still haven't at the age of 46.

Perhaps because I had an internationally renowned uncle (he was a famous conductor of music back in India, and has been dead for maybe 25 years - despite the booze, like for myself, it never seemed to affect him in his day-to-day activities) who liked to hit the bottle and also never suffered fools or hangovers, I also have that ability to never, ever learn my lesson about drinking too much. Although... I do want to state that I do not drink to excess any more, and pretty much stopped that after I became engaged to a very pretty lady while in Japan.

Fortunately for you, dear reader, this adventure with Jim occurred BEFORE I became domesticated.

Jim asks... do you remember what we got up to? Yes. More or less. You can correct me with any inconsistencies you find in this epic saga. I am offended by the fact you said I wrote "some hilarious pieces". Jim, you bandit! They were all hilarious. Jim taught me the term 'bandit' back then... something that Aussies everywhere seemed to use with affection.

So... what the hell is Jim talking about? What did he and Andrew do that bears repeating by himself to his friends, and by Andrew to his friends in situations not related to this blog? It's true... I do tell this story to my friends quite often, too.

Here we go:

Once upon a time in Japan, Andrew (that's me!) left his sleepy-little city of Ohtawara, Japan to go to a renewers's conference for the JET Programme. Or maybe it was just an AET conference for teachers in the northern Tohoku area of Japan.

I'm unsure. But, trust me... I remember everything else. I think. 

For some reason I was a reasonably popular guy amongst the Japanese, and amongst the non-elitist bastard AETS. Jim is correct, there were quite a few elitist bastards on the JET Programme... people who were there to teach the English language to the Japanese. It was never like that for me. It was all about internationalization. It was to share my life with the Japanese, and they with me, so each could learn that despite our differences culturally, we are still the same social animal. I'm sure when Jim reads this, he would agree. (I hope).

In Japan - when I did drink, which was only in a social gathering, I preferred Kirin beer or hot or cold sake (rice wine). I seemed to have a lot of social gatherings, however.

Perhaps because I felt like I needed to prove to the Japanese - and to the elitist JETs that I could do anything better than they, I drank. In Japan, drinking is a socially acceptable Olympic-level sport. It's okay to come to work with a hang-over... but just don't come in smelling like a vat of booze. And don't let it affect your work.

I fit in perfectly in Japan.

Back to the story: At the reception, after picking lightly at the meals being walked around to us, someone said we should have a drinking contest. There were four of us, and so help me, I only have memory of three of the participants: One was a big American guy (the guy I can't remember visually at all); one was a smallish American dude of Japanese descent; one was myself; and the last competitor was Mister Arakawa, who was, I believe, one of the Japanese bosses of the Tochigi-ken AETs who taught at the high schools (like my ex-girlfriend-slash-sleeping partner Ashley did in Ohtawara).

Our drink du jour was sake - fermented rice wine - because when in Rome...

I am pretty sure there was no wagering involved amongst ourselves - but who knows what the observers were doing.

We had about 30 six-inch tall slender glasses that were each about 2/3's full with sake.

At the count of three, we each yelled kanpai (Cheers)! and downed our drink, turning the glass over.

We looked at each other and laughed. The first drink or two is always easy, because sake tends to taste a lot like water - until it hits you, and you become drunk very quickly.



We upturned seven more drinks... and that's when I noticed the American dude of Japanese extraction being carried away... apparently he had passed out.

The remaining three of us pointed and laughed. More drinks were ordered, and we continued. At around the 25 mark apiece, we lost the American. I never saw him leave, I never saw him fall -- and I'll be honest, I only think this guy was part of our competition because, by this time, I was wasted.

I looked over at Arakawa-san, who held up his glass and saluted me before downing it. Bugger! He was red as a lobster, and probably looked as tired as I was, but he didn't seem to be tiring.

At around the 35-drink mark, Arakawa-san and I were huffing for breath, but still standing unaided... by that I mean we stood straight ??!! and didn't lean, although I seem to recall that the walls were bent at a strange obtuse angle involving elliptic Cyclopean forms.

People... we got to our 45th drink apiece, sucked it down and grinned at each other. Arakawa-san - whose English was better than mine at this point of the evening--checked his watch and said he had to stop because he had to go to a meeting... it was 9:55 PM, so who was I to doubt him? He shook my hand, and stumbled off.

That man is my hero.

Me? I could still hang out with my girlfriend Ashley - or at least someone whom I was sleeping with whenever the mood struck as as friends-with-benefits, and I'm pretty sure that hot, sexy, little Kristine was around somewhere... so I wobbled off to the local disco in the hotel to find either of them. Would you believe it? Apparently I was so inebriated that they wouldn't let me into the disco.

I'm pretty sure I swore at a lot of people, but I decided to go look around the hotel.


That's when Jim found me. We staggered around for awhile looking at girls wishing they had the guts to come and talk to us - but perhaps the waves of alcohol being emitted by our suddenly buff bodies was acting as some sort of female repellent - I have no idea. 

Since it was obvious that none of the gaijin honeys were ever going to Oz to find some courage, Jim and I decided to follow our own yellow brick road down the path of sobriety... or whatever the word is for being inebriated.

At some point in the evening, we each had to take the mother-of-all-whizzes. Me, because of 45 shots of sake and maybe a beer... and Jim because he is Australian and born inebriated or he had joined the competition from the sidelines as an unofficial participant. I'm just guessing at that. I have no idea how Jim got drunk, or if perhaps he and I went and got more booze to drink from somewhere. That seems likely. All I know is that he was still funny and could understand me. I could understand him too - which is strange because I usually have a hard time understanding the Australian accent. Beeee-ya. Apparently that's how they pronounce the word 'beer'.

In that men's room, that was spotless despite there being an AET convention with a lot of very drunk men, Jim and I found a camera. Someone had left it there, and walked off. We began taking pictures. In those days of the early 1990s, it was all film. This one had a roll of 36 in it, with about 31 remaining.... that is until we began to point and click at everything and anything.

I am pretty sure each of us took photos of our own stream of urine hitting the blue urinal cake - which, by the way, is not an actual cake.

Then, when we had finally finished peeing some 4-and-a-half minutes later, we pitched out of the doorless men's room only to espy a large taxidermy exhibit in this quiet little area of the hotel and bumped into it. Glass! Owtch!

It was a forest scene. It was maybe 60 feet wide and 20 feet deep and had a plethora of green-leafed trees, logs, rocks, bushes, underbrush... and animals. Rabbits. Wolves. A Bear. And other furry, blurry critters I can no longer ever recall being able to focus my bleary eyes on. How the heck did we miss this place before the pee break?

There was also a large glass door in the middle of the exhibit.

We tried to open it, but it was locked.

Now here I'm a little vague, but we somehow broke the lock (not the glass). I'm guessing I did it, but it might have been Jim.

Shocked by how easy it was to open, I bade Jim to enter first. He said no way, and bade me to enter first. Like Alphonse and Gaston, we continued to politely ask the other to go first. 

Eventually, Jim called me a bandit and and entered into Eden--though neither Jim or I were naked or pretending we were Adam and Eve. We were just drunk on Japanese sake and beeee-ya with two tickets to Paradise.

I recall Jim prancing around and talking to me in his usual excited voice. Jim was touching all of the animals - and I think taking pictures of me inside the exhibit, and then giving the camera to me, I took pictures of Jim inside the exhibit. We weren't doing anything gross to the animals - I can tell you that - but we were trying to ride the deer and hug the bear. The rabbit was too fast to catch... even though it was dead. What can I say... I'm getting flashbacks of little snippets of us inside the exhibit as I type this out. 

I'm also pretty sure I fell asleep under a large tree and woke moments later in shock as a deer stood over me. Where the hell am I? And then I heard Jim continuing some conversation we had apparently been having with each other while I was asleep.  

Finally having had enough - and actually running out of film, we decided to leave our deer friends behind. You'll notice I said 'deer friends behind', rather than 'deer friend's behind', because we were happily drunk... not happily drunk perverts.

We then staggered back to the main area of the hotel lobby and found our way to the elevators, got off at our respective floors and then passed out asleep.  

According to my roomie, Matthew Hall, he got up twice during the night to smack me to make me stop snoring. While I saw Jim the next morning looking like something a bear used to wipe its behind, he was still functional, didn't seem to have a hangover and didn't smell like a distillery. He, too, fit perfectly in Japan.



I was bright and cheerful that morning (no hangover) when I saw Arakawa-san and shouted out an ohio gozaimasu (good morning)! to him. He cradled his head in his hands, whispered "itai" (pain) and begged me to be quiet.

I laughed and marched off to listen to the conference's opening address.
Somewhere wishing I knew how to break a lock, as that could be a handy and profitable skill to have,
Andrew Joseph
While today's blog title is NOT a rock and roll song, it is a famous line from Star Trek, the original series, repeated nearly every single episode by Dr. Leonard (Bones) McCoy to Capatin James (Jim) Tiberius Kirk. The title and statement, in this case, is in reference to the dead animals we played with. God, I wish I had said that to Jim while we were in that taxidermy exhibit.
PS: Jim, old buddy, old pal... I have my nearly six-year-old son Hudson in soccer, and I play by myself with a soccer ball during his practice. Both of my knees have turned slightly arthritic this past year, making any sort of shot a painful experience. But I still do it, anyways. Since I don't drink much anymore, a man's gotta have some fun some time.
PPS: And Jim... maybe you should tell me what really happened that night. Despite the length of this blog, it still seems rather vague. I wrote it down that morning during the conference... but I was probably still drunk when I did so.
PPPS: I can only hope for both our sakes, that whatever photos we took weren't in focus and thus there is no physical evidence to embarrass us... unlike our penchant for telling everybody what we did. 

TEPCO's Power Data Summer 2011

Hi y'all.

TEPCO has released its numbers for power demand and power supply through the summer of 2011.

Check it out HERE in English.

Cheers
Andrew Joseph

Osamu Tezuka: the man who set manga in motion


Japanese comic strip meets contemporary dance in this show based on the work of Japanese cartoon artist Osamu Tezuka.

A show based on the work of Japanese cartoon artist Osamu Tezuka – revered in his homeland as “the god of manga” – is a prospect apparently designed to raise the hackles of anybody wary of contemporary dance. It certainly raised mine.
Despite the lofty reputation of Sidi Larbi Cherkaoui, the half-Flemish, half-Moroccan choreographer whose new creation, TeZuKa, is currently in rehearsal in his native Antwerp, I was ready to be baffled by the sight of dancers “becoming” Japanese calligraphy, mimicking strokes of the pen with their bodies, and by the unfamiliar culture of an artist whose best-known character is a robot child named Astro Boy.
Yet within a couple of minutes of entering the theatre in Antwerp, all scepticism was blown away. It was a remarkable sensation: a lesson. What struck me was the sheer completeness of the enterprise; the certainty with which Cherkaoui is seeking to reveal the imagination of Tezuka.
With the help of some top-drawer collaborators – Nitin Sawhney with a sinewy and melancholic score, a set of beautiful simplicity by Willy Cessa, on-stage musicians and a cast of 10 drawn from both Japan and Europe – it is clear, even at the rehearsal stage, that Cherkaoui is giving us an entire world in TeZuKa, one that is both alien and resonant.
Amid long white blinds – like scrolls of paper – on to which are projected shifting squares representing frames in an animation, the dancers perform moves that do, indeed, resemble the strokes of a pen. But what they also conjure, far more tellingly, is the very act of artistic creation.
The piece also offers segments from stories by Tezuka, which generate a serious rethink of what animated art actually is (in Japan, of course, no such rethink would be necessary, but the British view of manga is rather less elevated). Tezuka began work in the bleak years after the Second World War – he died in 1989 – and saw what it meant to rebuild a society, how progress brings with it both good and evil. His stories are like little myths. At times, they are also incredibly dark and daring – “One story can take on four taboos,” as Cherkaoui says – and deal with issues such as homosexuality, incest and religion.
For example, a passage in TeZuKa depicts the relationship between a priest and a boy whom he has raped. Their twisted connection makes for an intensely powerful duet, while above the dancers’ heads, extraordinary images from the original cartoon are projected. It is an eye-opener in every sense and explains why Cherkaoui, three years ago and with the backing of Tezuka Productions, was inspired to create this work. “It’s impossible, in one piece, to honour him enough,” he says.
Now 35, Cherkaoui grew up watching Tezuka on French television, drinking in a morality that “shows consequences, but does not make judgments”. A character such as Astro Boy could be seen as merely a child’s superhero; in fact, as Cherkaoui convincingly asserts: “Comic books are not just for children – there’s real authorship in them, and because you also have to be able to draw, they are really just like theatre.”
His passion is echoed by Daniel Proietto, the Argentinian-born dancer who plays the priest’s lover and whose dark doe eyes are, as his choreographer says, “a bit like animé, you know?”
Proietto – who dazzled in Russell Maliphant’s AfterLight in 2009, and later in Faun, Cherkaoui’s homage to Nijinsky – is relishing the challenges of this dense ensemble piece. “It’s complicated but exciting. Tezuka is so rich. You constantly have to figure out how to solve problems. I find it magical.”
Cherkaoui clearly thrives on the responses of intelligent dancers. He draws an analogy between Tezuka’s work and his own creative process. “He would draw a character with a scar, say, and then afterwards find a reason why there was that scar… For me that’s something recognisable, because with choreography you will see something in your mind, but you only find out what it really is later on, by trying things.”
He himself used to draw, but moved into what he calls the “more sensual” world of dance. Watching a friend imitate Kate Bush was an early inspiration. Then came work with the Belgian collective Les Ballets C de la B. His career has been notable not just for its success – most recently, a 2011 Laurence Olivier Award for Babel – but for the diversity of the worlds it explores.
The 2008 work Sutra, for example, was a collaboration with Antony Gormley and Shaolin monks. In 2009, he worked with the flamenco dancer Maria Pagés on Dunas. Ook, an early work, developed from a workshop for mentally disabled actors. Last year, he was the choreographer on a production of Das Rheingold at La Scala. “That really did feel like a different world. Wagner was much more exotic to me than Tezuka.”
Cherkaoui is an intellectual at heart, highly courteous and articulate, a faintly donnish figure as he moves delicately among his cast before resuming his seat in the stalls behind a laptop, surrounded by books and photographs of Japanese costumes. “His mind is almost mathematical,” says a colleague. “He is on top of everything – budget, travel arrangements… He has hundreds of Post-it notes about the show, and the next day they might all be shuffled around, but he always has a sense of where everything is going.”
It is ambitious, though. To render one art form through another is not easy. The separate parts of this show are certainly mesmerising; one hopes that the whole will convey what Cherkaoui intends.
“As an adult, we sometimes try to undo our childhood. We are discouraged from saying what we really care about – things like cartoon books – but now I want to uncover it instead.”
Hence, TeZuKa: a deeply complex work, born of simple childlike passion.

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